12 Photos
Jeremy Dennis “The sacredness of Hills,” 2020. Metal print, 30” x 40.” COURTESY THE ARTIST
Nanette Carter "Cantilevered #53 (Teetering)," 2020. Oil on Mylar, 32 ¼" x 64 ¼." © NANETTE CARTER, COURTESY BERRY CAMPBELL, NEW YORK
Eric Fischl “Portrait of an Artist as a Woman,” 1989. Oil on linen, 68” x 58.” COURTESY THE ARTIST
Eric Fischl “Untitled,” 1994. Oil on linen, 65” x 55.” COURTESY THE ARTIST
Michelle Stuart “Emaline Had Childhood Incidents,” 2019. Unique archival pigment print photographs, seven units, 11 ¼” x 8 ¾” x ⅜” each, 37” x 34 ½” overall. © MICHELLE STUART. COURTESY GALERIE LELONG & CO., NEW YORK
Installation view of "Artists Choose Parrish, Part I A," featuring work by Nanette Carter (center) and works she selected from the museum’s collection. GARY MAMAY
Installation view of "Artists Choose Parrish, Part I A," featuring work by Nanette Carter (far left) and works she selected from the museum’s collection. GARY MAMAY
Installation view of works from the Parrish collection selected by artist Nanette Carter for the exhibition "Artists Choose Parrish, Part I A." GARY MAMAY
Installation view of works from the Parrish collection selected by artist Nanette Carter for the exhibition "Artists Choose Parrish, Part I A." GARY MAMAY
Installation view of "Artists Choose Parrish, Part I A," gallery of works selected by Nanette Carter. Left to right: Frank Wimberly, "Untitled," 2000; Romare Bearden, "Tidings," ca. 1970s; Nanette Carter, "Cantilever #53," 2020. GARY MAMAY
Installation view of Ugo Rondinone, "the alphabet of my mothers and fathers," 2022, as part of "Artists Choose Parrish, Part I A," shown with Alan Shields, "Devil, Devil, Love," 1970. GARY MAMAY
Installation view of Ugo Rondinone, "the alphabet of my mothers and fathers," 2022, as part of "Artists Choose Parrish, Part I A," shown with Alan Shields, "Devil, Devil, Love," 1970. GARY MAMAY
